Tia Kemp’s 2009 autobiographical book, published under her fuller name Tiallondra Kemp, is the earliest clearly documented independent project in the available record. A contemporary interview connected with its release allowed her to discuss motherhood, personal challenges and the reasons she wanted to tell her story.
Her public work later moved into social media, podcast hosting, recorded interviews and live entertainment. These activities provide a clearer account of her career than the disputed ages, physical measurements and financial estimates found in many online profiles.
| CategoryDetails | |
|---|---|
| Public name | Tia Kemp |
| Published name | Tiallondra Kemp |
| Other public name | Yuntie Tia |
| Documented work | Author, podcast co-host and online personality |
| Published work | 170-page autobiography |
| Children | Three sons |
| Podcast record | Ten episodes listed by Zeus Network |
| @yuntietiaback |
Her Published Work Used the Name Tiallondra Kemp
The bibliographical record for Kemp’s book identifies her as Tiallondra Kemp. Published in 2009, the 170-page autobiography covers experiences extending from childhood to motherhood, including relationships, legal difficulties and efforts to begin again.
The record supplies ISBNs 0977457591 and 9780977457595. It also establishes the book as her earliest clearly documented independent project. One detail remains inconsistent: Google Books identifies Urban Books as the publisher, while a commercial bookseller’s listing names Tru Life Publishing Inc.
Kemp now appears publicly under the shorter Tia Kemp and the name Yuntie Tia. No direct explanation has been found for when or why she began using those forms, but all three names are connected to distinct parts of her public record. Tiallondra appears on the book, while Tia and Yuntie Tia are associated with her interviews, online presence and live appearances.
The Memoir Brought Her Wider Public Recognition
XXL interviewed Kemp on 30 April 2009 while the book was being promoted. During that conversation, she explained that she had already considered writing about her experiences before connecting with people who helped bring the project together.
She said her principal aim was to have her account heard. The interview also addressed what she had learnt while writing. Kemp described difficult experiences as events that could help someone become a better person, adding that overcoming her challenges had brought her to the point where she could write the book.
Public recognition followed the interviews and publicity surrounding its release. Kemp told XXL that people had begun identifying her in public as the woman writing the book. Her comments provide a contemporary account of the point at which her experiences moved from private history into a visible media identity.
Parenting was another prominent subject. She argued that conflict between parents should not be directed towards their children and stressed that adults remained responsible for caring for them regardless of disagreements. Those views later remained relevant when she spoke publicly about raising her own sons.
Podcast Hosting Expanded Her Media Work
A more formal media role arrived in 2024 when Kemp joined Tokyo Toni and Karlissa Saffold as co-hosts of a talk-based podcast distributed by Zeus Network. The company’s official catalogue lists ten episodes featuring conversations with figures from entertainment, sport and online media.
Reputable reporting placed the programme’s debut in July 2024. The role expanded Kemp’s work from content shared through her own accounts into a contracted production with fellow hosts, invited guests and a defined episode format.
The official catalogue does not identify a later series or provide clear original release dates for every episode. It nevertheless documents her participation across all ten listed instalments. This hosting credit forms one of the strongest independently confirmed parts of her work after the 2009 book.
She Treated Television Work as a Professional Opportunity
Kemp spoke about the difference between operating her own social-media pages and working on a contracted production during a September 2024 interview. On her personal accounts, she said she could choose how to engage with her audience. A programme made for a network created different responsibilities.
She described arriving to perform a paid job and said she approached the work professionally. In her account, the role was also an opportunity to earn money and move towards another stage of her career.
Her comments came while discussing difficulties among the hosts, although she said she could not provide extensive details because she was under contract. The most useful first-hand insight is therefore not the unresolved disagreement but her distinction between an informal online persona and the expectations attached to commissioned media work.
Direct Interviews Added Context to Her Public Profile
The same 2024 conversation included Kemp’s account of mental-health difficulties. She said she had experienced depression and anxiety and that a therapist had also discussed post-traumatic stress with her.
Rather than presenting those experiences only as part of her public image, she explained the practical steps she had taken. Kemp said she saw her therapist approximately once a month when possible, either in Miami or through a video call. She described her approach as holistic and said she did not take medication.
These comments are her own description of the support she received and how she understood her condition at that time. They also provide a more substantive view of her personal development than descriptions inferred from brief online videos or promotional appearances.
She spoke separately about enjoying greater independence and said she was not then seeking a committed relationship. That statement described her position in September 2024 rather than establishing her present circumstances.
Motherhood Remained Central to Her Public Message
Kemp has directly identified herself as the mother of three sons. Reliable public sources do not name her two older sons, but an official university athletics profile independently identifies her as the mother of William Roberts III, whose father is William Roberts II, professionally known as Rick Ross.
William attended St Thomas Aquinas High School before joining Bethune-Cookman University’s football programme. He played along the offensive line during his freshman season in 2024, appeared against Western Michigan and retained eligibility through a redshirt. The university listed him as moving to tight end for the 2025 season.
Kemp has repeatedly connected motherhood with accountability. In 2009, she said children should not carry the consequences of disputes between their parents. During later interviews, she discussed raising three sons and trying to change difficult patterns carried across generations.
Her comments establish motherhood as an important part of how she explains her experiences. They do not provide grounds for identifying her older children, describing private household relationships or assigning her influence over William’s sporting decisions.
Her Miami Upbringing Shaped Later Reflections
In a 2025 interview, Kemp discussed growing up in Miami with a young single mother. She described herself as the eldest of six children and recalled an upbringing shaped by several women in her family.
She specifically credited her mother, grandmother and aunts with influencing the person she became. Her account placed those relatives within a wider family support structure without supplying a complete public history of each person.
That background also informed her comments about raising her sons and breaking generational cycles. She presented the effort as part of her own parenting experience, not as a judgement on every relative or a detailed account of their private lives.
Although several secondary profiles provide names, ages and other information about her family, the dependable first-hand material is narrower. It supports her Miami upbringing, her place as the eldest of six children and the influence she attributes to the women who helped raise her.
Yuntie Tia Became Her Current Public Identity
By August 2026, Kemp’s principal Instagram profile was operating under @yuntietiaback and displayed approximately 756,000 followers. The biography identified her publicly and included contact information for bookings.
The account demonstrates the scale of the audience attached to her present online identity, although follower totals are constantly changing. A large platform also cannot establish income, business ownership or the financial value of her work.
Yuntie Tia has moved beyond being an informal nickname. The same name appears in professional event promotion, connecting her social-media presence with ticketed live work. It allows her current activities to be traced separately from the Tiallondra Kemp name used for her 2009 publication.
Live Entertainment Extended the Platform in 2026
Zanies Nashville officially scheduled Kemp for two appearances on 9 August 2026, with shows listed for 6.00 pm and 8.30 pm. The venue marketed her format as a mixture of humour, personal commentary and audience participation.
These listings marked a further expansion of the public platform that had already included a book, online content, interviews and podcast hosting. Instead of appearing only through recorded media, she was being promoted for direct engagement with a ticketed audience.
The accessible event page establishes that both appearances were scheduled. It does not independently document attendance, the material she presented or what occurred during the shows. Promotional descriptions supplied by the venue also represent marketing language rather than objective assessments of her personality.
Her Verified Record Now Extends Beyond One Public Association
Tia Kemp remains widely connected with Rick Ross because they share a son and because she has discussed their former relationship publicly. That association is part of her documented background, but it is no longer the only reliable basis for a profile.
Her 2009 autobiography is the earliest clearly documented independent project in the available record. Later evidence includes contracted podcast hosting, a substantial online audience and scheduled live appearances in 2026.
Her interviews also preserve her own account of motherhood, therapy, professional boundaries and her Miami upbringing. The dependable record therefore extends beyond her association with Rick Ross without relying on disputed biographical claims.
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